Architectural Review Board - Regular Meeting

Wednesday, February 25, 2026
Transcript
Video
Agenda

About this meeting

Government Body
Architectural Review Board
Meeting Type
Architectural Review Board
Location
Wellington, IL
Meeting Date
February 25, 2026

Transcript

630 sections (from 689 segments)

0:051

item is approval of the minutes. Does anyone have any edits or comments to the January 29 ARB meeting?

0:14 – 0:302

Kelly, I was just questioning, article nine or paragraph nine, comments from the public, none. But yet we thanked miss Capone for her public comments.

0:31 – 0:421

So her comment was done during the item. It wasn't during the public comment time. So that was at the very end.

0:422

That's one. Yeah. Okay. Thank you.

0:451

Sure. Do we have a motion?

0:483

I'm making a motion to approve.

0:504

I'll second.

0:511

All those in favor?

0:54 – 1:181

All those opposed? Motion carries. Okay. There I don't see sir, are you there for the color modulation? Okay. So never mind. Swearing in as speakers. If you plan on speaking tonight, please raise your right hand. Do you swear to tell the truth, the whole truth, nothing but the truth? Yes.

1:18 – 1:451

You're sworn in. Thank you. The first item of business, we do have someone on Zoom right now that got stuck in Boston. It's an architect for K Park. So in order to allow them to participate in the meeting, there has to be a motion, and it has to be approved by the board. So do we have a motion to allow the speaker to participate via Zoom? Kelly?

1:465

No, they're connected. Okay.

1:481

I know, I need to, they need to motion Her microphone

1:536

is off.

1:531

Oh, Maria, you have to put your mic. Is it on?

1:56 – 2:083

I think we had the same issue last night, but I think under the circumstances typically, don't allow remote call ins, but under unusual circumstances, I think there's exceptions being made. So I'll make a motion to allow a remote call in.

2:081

Okay. Is there a second?

2:096

I second the motion.

2:101

All those in favor, aye.

2:12 – 2:281

Okay. Hearing none. All those opposed, hearing none. Okay. We will allow the architect to participate via Zoom. Any ex parte communication for any of the items? MARIA We can start with Maria. Do you have anything?

2:29 – 2:425

Yeah, I had quite a few. I spoke to Lori Cohen. I spoke to Mr. Jean Louis. I spoke to city manager also.

2:421

And this is all for the KPRC item?

2:435

Yes, ma'am.

2:441

And can you be fair and impartial?

2:455

Yes, I can. The

2:48 – 3:043

only communication I had was related to the K Park application. I had a Zoom call with the related Ross team earlier today. And I had a conversation with the mayor this morning on that same topic. And I can be fair and impartial.

3:054

None. Nothing.

3:076

I spoke to the related Ross team as well as Urban Design and Jean Louis on Monday by Zoom regarding the K Park project.

3:14 – 3:481

And can you be fair and impartial? Okay, perfect. Okay. So the first item tonight is petition number 2020Six-six ARB, color board modification. So we did get a request from a resident to add some darker colors to the color board.

3:49 – 4:261

We have the color boards here on display for you to see what the schemes are that residential and nonresidential structures can utilize. We have had a lot of requests for darker colors recently. Honestly, just the same day that this person inquired about adding a color, someone else had inquired about adding having a darker color as well. So it is a trend that is current right now with the colors of exterior homes. The after the storm is the first choice.

4:27 – 5:071

This is the color from the Sherwin Williams website. And then this is the person's home and the color on the building. Again, if you decide to add this to the color board, it will be added to the board for all residents to utilize. It is not specific to this house. Okay? So this is after the storm. And then her second options are these other ones on here. So we're happy to discuss more. We have the contractor here as well who would like to you know, who can answer any questions.

5:113

Kelly, can you confirm? So this isn't a request to add this color, but these renderings, the house has not been painted?

5:171

No. Mm-mm. Okay.

5:243

UNIDENTIFIED Is there any presentation or any comments from

5:271

No, that's really it. Personally,

5:33 – 6:063

I'm not in favor of this. I don't think it really is compatible with the colors that our staff has put together. I appreciate people's desire to sort of kind of go off the grid a little bit and incorporate some, you know, new flavor to Wellington. But I just don't see this as being compatible with, you know, what we have traditionally been supportive of in the past. So it doesn't work for me.

6:065

JACKIE KELLY, what is the closest color that we have?

6:101

JACKIE So a lot of the colors JACKIE

6:125

Request.

6:13 – 6:401

JACKIE A lot of the colors are on the additional secondary colors, where you can use them for your garage, your accent, your front door and your trim, or on the front door, so generally smaller areas of the home. These darker colors are not on the primary and secondary wall colors. The closest color I would think would be the bottom two gray colors, maybe the peppercorn or iron ore. Iron ore is

6:407

a little

6:405

What about that bottom right hand corner and the second one from

6:45 – 7:141

That one is, more like a like a deep blue. It's not as dark as the, after the storm. After the storm is almost black, but it have with a view a blue hue to it. But the peppercorn and the iron ore, if you were to add at least one of these options, maybe peppercorn or iron ore. But I don't recommend Tricorn Black, Inkwell, or After the Storm.

7:14 – 7:376

So my thought is, it doesn't really fit in the character of the town, but also what about the neighbors? I mean, if I said I wanted a fluorescent green home, I may like it, but it doesn't really fit with anything. I mean, maybe a darker gray, I can see. But this is like charcoal black. It looks like the color choice for like a, know, a roadway or something. Yeah. It's pretty much so. I I don't think this fits in the character.

7:391

Does the contractor want to add anything? Yeah. Okay. You can come up to the mic. Can

7:457

you show

7:453

up to the microphone, please?

7:461

And just state your name.

7:51 – 8:218

Hi. I'm Carl Save. I'm the contractor for 1050 Fairdale Way. The issue we're having is, you know, I believe it says in Wellington you can't paint your house the same color as your neighbors. Well, our neighborhood is starting to look like Leisureville because there's so many limited colors that they can't find a color because every one of their surrounding neighbors has a color that's dark or white or So now every house is starting to look the same. So you're taking the character out of Wellington by painting every single house white and having tan fences.

8:22 – 8:383

I don't think there's a requirement to paint everything white. And I think you've got a pretty good spectrum of colors to choose from. I'm not sure why you're going sort of to the extreme on the color chart to avoid looking similar to what the neighbors have.

8:38 – 9:058

I'm not I'm the contractor. So but, you know, the other is a white or a gray. One neighbor's house is the white color they want. The other neighbor's house is the gray color they And it says you can't paint your house same colors as neighbors. So it's like, what am I supposed to do? I make them pick and, you know, one house is yellow, one house is tan, one house is gray, one house is white. Surrounding the whole thing, their whole color palette is surrounded by them. And it says, right in Wellington, you can't paint your house the same color as your neighbors.

9:053

Kelly, what is the staff position on that in terms of, I mean,

9:088

I either

9:081

think it says that they can't be the same architectural design. I don't

9:133

More elevations than it is color.

9:141

Yeah. Unless your HOA has that requirement, because I know that they have an architectural review board in Meadowood, and maybe something that the architectural review board

9:23 – 9:405

That could be, Kelly Coast, in my community. Even when we first purchased, you couldn't on either side. And it was almost like, if you got there before me and you took that brown, I'm out of luck with that brown. I had to go to something else, you know, and had the choice

9:419

to go somewhere else

9:439

color.

9:438

I mean, that is a requirement as well. So now I'm looking at painting the house a color that doesn't match the black roof or the black windows or the wood.

9:523

HOAs can be more restrictive than the village can be. Has this even been submitted or considered by the HOA?

9:598

JAMES It's been submitted to them. They said approved? Before Wellington.

10:023

JAMES And they approved it? The HOA

10:0310

approved it?

10:038

JAMES They were fine with it. I mean, I've talked to members of the community. I've talked to inspectors. I mean, I've showed them the renderings. Everybody thinks it's a good look.

10:11 – 10:411

:So our code says that no two identical facades shall be placed next to or across the street from each other in residential zoning districts. Identical facades shall mean color, material and design. If any of the elements differ but have one identical element, then this requirement shall not apply. So the houses literally have to be the exact same cookie cutter house next to each other. So I think that issue is with the HOA. It's not with Wellington that they're having the issue with.

10:415

But he's did you just say there isn't an issue with the HOA with color?

10:468

Well, it's they said it needed to go before Wellington. They didn't have an issue with it. And I've talked to a lot of the residents. But the problem is all the facades are the same. Everybody does a black No.

10:561

The facade meeting, like the actual structure, like the elevations of the house.

11:04 – 11:168

They're very similar. I mean, they look the same. Round windows, black windows, black metal roofs, white houses. That's what every house is on my block. And like, every house looks the same now. It looks like Leaserville.

11:17 – 11:413

Well, I think what we're being asked tonight is to add this to the color chart. It's not REPRESENTATIVE:] about one particular property. No. It's that this becomes part of the approved color chart that anybody could, at any time, could all of a sudden select this color, and it would be approved. Obviously, HOAs have to approve it if it's within a community that requires HOA approval. But in terms of giving broad approval throughout Wellington, I'm not personally comfortable approving this.

11:4211

I know a lot of the gated communities do have the rule that

11:454

you can't have the same color

11:4611

house next to the other. But I don't I mean, if that's not

11:494

a Wellington rule, then that doesn't hold water here.

11:5311

So I agree with John. I don't think that it

11:564

fits in with the character of Wellington. And be it maybe Leisureville, I do enjoy that Wellington is kind of an easygoing place.

12:0411

So I don't mind that so much.

12:07 – 12:215

And again, the point is, for us to approve it, it stretches out across the entire city of Wellington, which is where I think everybody has the sticking point there.

12:243

Well, don't want to be here till midnight, so

12:261

if there's

12:273

no discussion on this panel,

12:291

I'll make a Let's first open up to public Is there a second? Second. All those in favor?

12:373

Aye. Opposed? Hearing none. Any public comments, Kelly? No. Motion to close.

12:451

Second. Second. All

12:485

those in

12:483

favor? Aye. Opposed? None.

12:527

All the

12:523

comments are closed. I'll make a motion to deny petition number 2000000260006ARB for the color board modification. Is there a second?

13:0112

I'll second.

13:023

All in favor? Aye. Any opposed? Motion passes unanimously.

13:07 – 13:391

Thank you. Okay. Next up is Wellington Village, also known as K Park, conditional use building height. Resolution No. R2026-eight, Petition No.

13:39 – 14:201

Twenty twenty six-two CU, which I would like to enter all files into the record. The request tonight is for buildings that exceed 35 feet in height within the Wellington Village, also known as K Park project, which is located on the Southwest Corner of Stribling and State Road 7. Building H is the hotel and is requesting a height of 86 feet. Building G4 is a two storey restaurant with a height of 47 feet. And Buildings D1 And D2 are three storey mixed use buildings with a height of 42 feet.

14:23 – 15:211

In January 2025, Council executed a purchase and sale agreement with related Ross and education in motion to purchase the property upon receiving entitlements for a mixed use development. And in April 2025, council approved a village initiated comprehensive plan amendment changing future land use map designation to mixed use. On February 10, council approved the rezoning, master plan and conditional use request to develop a mixed use project with residential, commercial, office, a private school and hotel. And then the conditional use request for the private school was approved last night at council's meeting. The request before you tonight is required by the conditions of approval of the adopted master plan resolution, the adopted project standards manual and the land development regulations, as all buildings taller than 35 feet require council approval.

15:21 – 16:151

And Planning and Zoning Adjustment Board and ARB recommendations are required prior to counsel. Staff's presentation will include all building height requirements, such as the background, and the agent will get more into the architectural details of the building. ARB is tasked with making recommendations on the architectural design and materials of the buildings only and not on the height and the other requirements. The proposed buildings are located central to Pod B and adequately separated from residential uses with over 500 feet from Farmington Estates to the South and 1,500 feet from Oakmont Estates to the West. Point of view images were provided in the staff report from various locations on the site, including from the top of the hotel looking south to Farmington Estates.

16:17 – 17:061

The land development regulations and adopted project standards manual require increased setbacks for buildings taller than 35 feet, and buildings eligible for 72 feet or more require an additional two feet for every five foot or for I'm sorry, for every foot above 35 feet. This table provides the required setback based on the height of the building versus what was provided. All buildings meet and exceed the increased setback requirement. The LDR requires taller palms within the foundation planting areas around the buildings to soften the visual impact of the building. The palms circled in the next few slides are required to have a gray wood of 12 to 28 feet, depending on the height of the building.

17:07 – 17:501

All required landscaping is a condition of approval and must remain as long as the buildings remain. Any and all landscaping that dies, becomes diseased or disfigured must be replaced. Projects that propose buildings greater than 35 feet in height are required to include at least three community benefits. The applicant is providing electrical vehicle charging stations throughout the site, privately improved and maintained public amenities, including promenades and plazas, and LEED based design of silver or higher. The community benefits are required to be shown on the site plan and are included as conditions of approval within the resolution.

17:51 – 18:471

In addition, buildings that are eligible for a height of 72 feet may request an additional 20% for a maximum height of 86 feet if each story has a minimum height of 11 feet, meets additional setback requirements and be the only building of that height within a project. Building H meets all of those criteria. And last, architectural design. All buildings provide four sided architecture with windows that occupy a minimum of 40% of the elevations, incorporate projections and recesses with varied lengths and depths, provide repeating patterns with color, texture and material changes are designed with an overall architectural theme and meet the guidelines within the adopted Project Standards Manual and Land Development Regulations. The request was unanimously approved by PZAB at their February 18 meeting.

18:47 – 19:201

And based off the analysis provided in the staff report, staff has determined that the request meets the criteria of the comprehensive plan and land development regulations and comply with the requirements for a conditional use. Conditions of approval are provided for in Resolution R2026-eight. And this concludes staff's presentation. And I have the agent here that will make a follow-up presentation with all the architectural elements. And I have the architect on Zoom. Can you hear me?

19:217

Yes, we can.

19:221

Okay. Perfect.

19:24 – 19:5413

Thank you so much, Kelly. Good evening, Board members, Lindsey Jean Louis with Urban Design Studio. I'm just going to kind of run through, again, the administrative portion of the presentation, and I will hand it off to the architect shortly after. As Kelly mentioned, the specific buildings that we are requesting the council approval for above 35 feet are Buildings D 1, D 2, G 4, And H. And as of 02/10/2026, the master plan for K Park was approved.

19:54 – 20:5413

And then more recently, 02/18/2026, the planning zoning adjustment board approved the conditional use height request. And in December 2025, that was the date of the council amendment to, begin this process of buildings above 35 feet needing that council approval subject to additional requirements as well as the allowance of that 20% increase above the 72 foot height for one building within a planned development, which we are requesting for the hotel. So this shows the site that we're all fairly familiar with at the Southwest Corner of Stribling and State Road 7 and the surrounding context and communities. And then in more detail, the, master plan, which was approved on, February 10 with the related Wellington mixed use village side on the East and then the school pod on the West. And the architect will get into this in more detail, but this just shows the general heights throughout the village.

20:54 – 21:3513

The majority of the buildings are between one and two stories. As we get to the south and center portion of the site, we get Buildings D 2 And D 1, which are three stories in height. Building G 4, which is two stories but has higher floor to ceiling heights, to accommodate for a restaurant, and event space. And then Building H, which is the seven story hotel. And this shows the exact height specific to what we're requesting. So I would like to hand off the presentation at this point to our architect, David Manfreddy, who couldn't be with us tonight, but is again attending via Zoom. And then David, I'll just go slide by slide. Just let me know to continue once you're ready.

21:387

DAVID Thank you. Good evening, everybody. I promise you we'd be more than happy to be in Wellington tonight rather than under about four feet of snow in Boston.

21:493

I'm not catching any of this.

21:521

Is there a way to higher the volume of the Zoom?

21:5611

Let us try can you hear us now?

22:013

It's a little bit better.

22:0214

Is that better?

22:0311

A little better?

22:043

I'm getting closer.

22:05 – 22:277

Let me go as loud as I can. Thank you very much for giving us permission to join you remotely tonight. I am going to walk through the overall village so you get a sense of the context. And then we'll focus on the four buildings that Rensie pointed out. If you go to the next, please.

22:28 – 23:107

So as Lindsay pointed out, the site is divided into the two parts, the eastern part being the mixed use retail, residential, and hotel, the western part being the Wingrove Academy. Next, please. And this is diagram, not just of the building footprints, but of the actual currently intended uses of all of those buildings. And let me explain the key. The pink rep and again, before I do that, this is truly intended to be a mixed use village.

23:10 – 23:277

And what I mean by that is it will include retail. It will include restaurants. You heard event space. What that really means is a ballroom kind of space, meeting kind of space. It will include hotel.

23:28 – 23:587

And it will include apartments. And you'll also see parking. I want to point out one thing that you've probably heard us say several times, so I'll say it briefly. The intent here is to make the parking, push the parking somewhat to the perimeter, to limit the amount of times that you get in and out of your car. So you come here by car, you park your car, you become a pedestrian.

23:58 – 24:277

This becomes as pedestrian an environment as is possible. We're creating a street on the eastern end of the site that parallels Route 7 that is intended to be more about the pedestrian than it is about the car. The parking is diagonal parking. It will calm traffic. You see that parallel to 7.

24:27 – 25:287

And then you see a series of perpendicular ways that include, right down the middle of the site, East West, a pedestrian way that leads from Route 7 to our large water feature. You see another East West that is a street that we, at the moment, call Hotel Street, because it terminates in the hotel that you just heard describe. Both of those paths are two sided retail or restaurants, active uses with storefronts that will engage pedestrians. And our goal is on the street side to be continuously open, transparent, accessible, and engaging of pedestrians. And especially in the interior of the site, to design really four sided buildings to really limit the sense of backsides.

25:28 – 25:557

And to have a scale that is of a village scale, but with diversity, meaning that we do have several taller buildings. We have a lot of one story buildings. We have some two story buildings. And then I'll describe in greater detail the ones that exceed 35 feet. So the pink represents and again, this is a conceptual layout plan at the moment.

25:55 – 26:177

Not that the footprints are conceptual, but the actual teneting and the distribution of teneting. So the pink is thought of as more traditional retail. That's both soft goods and hard goods, a great deal of diversity. But you can also see basically small footprints. These are not big boxes or medium sized boxes.

26:18 – 26:467

These are smaller tenants. Critical metric really is how many doors. And what I mean by that is how many individual tenants. The goal is you come here because it's a destination, because there's variety and diversity, and you'll dwell, you'll stay. The gold and yellow represent food and beverage.

26:47 – 27:197

The purple is the hotel, which we'll talk about in greater detail. The red at the very top, along scribbling, is grocery store. If you go to the next, now you can see on the 2nd Level, the lighter yellow represents apartments that are on the 2nd Floor right in the middle. The darker purple represents fitness. So again, two sided, against two story buildings.

27:19 – 27:587

We have really pushed the taller buildings more into the center of the site so they have less impact on the perimeter. The kind of gold color is that meeting event kind of space. The purple is the hotel. And then the light lavender color, both at the north and the top, is office space, professional office space, of WeWork kind of space as well, providing space for small businesses in Roanoke. If you go to the next.

27:59 – 28:317

And then you can see Level 3 plan. The only buildings that go up to Level 3 are that office space at the southern end of the site, and then in the deeper purple, the hotel space. Here's I'm going to go through a series of renderings, again, just to give you context and quickly. This is the entry off of Striblin. You come into an entry road, and then go right towards the grocery store, which is the building on the right with office above.

28:32 – 28:567

You go left, and you're onto our Main Street that parallels Route 7. Is called the grocery store. It's more than that. It's a grocery store with restaurant, a great deal of outdoor seating, and office above, again intended to be smaller scale tenants, professional office with outdoor space. Go to the next.

28:57 – 29:237

And then now I'm on Main Street. And Main Street and this is a line of buildings that's on Route 7. So these are typically one story buildings. The intention is that our kind of conceit here is that this is a series of individual buildings. There's an imaginary kind of property line between them.

29:23 – 29:457

It's not real at all. But just the intent that creates scale. It's, again, the number of doors, the number tenants that creates diversity and will attract the diverse number of guests. If you go to the next, this is am now down on the southern end of the site. We call this a brewery.

29:46 – 30:417

It's a restaurant and may well have brewery not operations, but a wide range of beer offerings in it. Outdoor seating, there's some two story space on the interior. And there will be a roof terrace as well. The material palette on these buildings is quite diverse. There will be stucco, but there will also be stone, as well as, you can see in what we've submitted, brick, but in a very light color, stone in light color, but enough variation to reinforce this idea of multiple buildings and not any of the topology of a retail strip.

30:41 – 31:237

This is the pedestrian way that leads to our water feature. You can see that this is relatively narrow, totally pedestrian scale. On the left, a two story building that has fitness above. On the right, a two story building that has our residential apartments above. Go to the next. On the waterfront, there are three or four significant restaurants. You see one of them here. That would be on your north. But you also see a big green space, because there will be significant open, publicly accessible green space. Another restaurant that's on the water.

31:23 – 32:077

There's a complete pedestrian loop all the way around the water. But again, totally accessible at all times. Go to the next. This is one of our smaller buildings. This is the three story building, D1 and D2, that has retail at the base. This is at the intersection of our Main Street and Hotel Drive. You can see the hotel off in the distance to the right, with two stories of office above. Multiple tenants on the Ground Floor of this building. Go to the next. This is a restaurant with a vent space above, another one of our taller buildings.

32:07 – 32:527

The height here is measured to the mid height of the slope of the gable roof. It's a restaurant below. It's a bed space above. It's relatively taller floor to floor height, because it can be completely open and create space of about 3,000 square feet. It can be broken down into smaller spaces. You can see a lot of outdoor space, terraces, Ground Floor terraces, and then balconies above. This is what we call Hotel Street. That's a hotel at the end of the street. I showed you D1 and D2. The hotel is six stories, restaurants flanking in on either side.

32:52 – 33:177

The front door is right in front of you. This is a drop off in a valet area that serves not just the hotel, but the retail and restaurants at this end of this site. The materiality here is a combination of stone and precast panels, perhaps stucco on some of those. I think gives you a sense of what that water's edge will look

33:173

like. Next.

33:21 – 33:4213

And thank you so much, David. I think that's the architectural component. I'll skip through some of these. This just kind of shows an aerial view of the site from a bird's eye view. But just to walk through the site views too, this is the existing view from State Road 7.

33:43 – 34:1013

We've imposed what the development is going to look like. And again, the hotel is actually set back more than 600 feet from State Road 7 and also more than 600 feet from Stribling. So again, definitely some consideration as to the placement of the tallest element into the site. This is a series of views from the Life Church parking lot immediately to the south of our site. So you can see it's fairly screened by landscaping when you're at the southern end of the parking lot.

34:10 – 34:4413

And you could see it a bit more prominently when you're at the northern end of the parking lot. And then as requested by the mayor, we also prepared a view of what it would look like from this top seven story of the hotel. On the left, you see the existing view of the site and then the proposed view with the development superimposed. And then looking south, the existing view and the proposed view with some landscaping. And again, just kind of showing that distance to see that there's going to be maintained residential privacy for the residents of Farmington Estates to the south.

34:45 – 34:5713

So that concludes our presentation tonight. Again, we have David, our architect, here to answer questions as well as Kevin Ryan with Related Ross and our office with Urban Design Studio. Thank you. Thank you.

34:593

Kelly, just to be clear in terms of our approvals tonight, we're only considering the height changes that on the four buildings. Is that correct?

35:09 – 35:541

So you're only you're only looking at the architectural design and materials of the four buildings. All the other items that the architect showed, all the different views and the different views of the main street of the smaller buildings, those eventually will be coming before you when they have when they submit the architectural review board applications. But this is specifically for the design and materials of the buildings that are requesting the height increase. Because what was happening was we changed the way the code was written just recently where, building heights always had to get council approval. So it would go PZAB council get approved.

35:54 – 36:111

And they already had their elevations and all, like council approved the building based off those elevations. And then they'd have to go back to ARB to get the elevations approved after council already saw it. So we made it so that the ARB happened in the center.

36:113

Makes Right. Obviously, we wanna open this to public hearing before maybe we have discussion.

36:201

Sure. There a motion?

36:21 – 36:513

A motion to open public hearing. Second? I'll second. All in favor? Aye. Any opposed? Hearing none, motion passes. Any comments from the public? No. Motion to close public hearing? Second? Aye. All in favor? Aye. Any opposed? Motion passes. Have we heard from Farmington, any of the surrounding communities, any opposition concerns, any feedback from any interested parties, anything?

36:51 – 37:091

Not on the height. Everything that was any concerns that we had with the residents was handled at the master plan level. And it had to do with the landscape berm and the height of the fence and the wall that was on that berm. And all that was taken care of.

37:123

I've got a bunch of stuff. If you guys want to weigh in first, I'll

37:154

No, please.

37:165

Traffic concerns from the communities outside?

37:211

So again, that was handled at the master plan level. There is going to be a shared access way within Life Church.

37:325

I know I'm I may going off the rail a little bit.

37:385

Only because I

37:401

Live on

37:41 – 38:175

No, and I've been contacted by other communities about major issues with the traffic study. And I spoke to mister Jean Pierre and the traffic engineer about that. And it's great the roundabouts had to be put in place Yeah. To try to alleviate that situation. But I think they I think they failed to zoom out about 30,000 feet and see the effect that it's going to have, particularly at the intersection of Lake Worth Road and 441, considering the majority of those vehicles that exit that footprint.

38:17 – 39:115

If they want to get back to the turnpike, which the majority will be, that will be their main way to get back to the Florida Turnpike. Going down Southern Boulevard to that entrance is not going to be. And considering how bad that traffic is at that light already, where the traffic from that light is backed up past communities, where people from those communities, in particular Versailles Four Fifty Wellington residents have a major issue with getting out of their community already, and more importantly, getting back into the community where there's been numerous pretty bad accidents, cars flipped already. Now this is just going to make that even worse. And unfortunately, there was nothing on these plans or discussions about maybe zooming out to try to do something to address that issue.

39:115

So hopefully people have heard my mouth with that.

39:16 – 40:101

So the decision we I know there was bunch of millions of dollars worth of traffic improvements that they agreed to do with the master plan approval. A lot of it was along Stribling, which was the construction of the roundabout, and then the, realignment of the, Life Church entrance, and then the installation of the traffic signal that's going to be there and then all of the intersection improvements at Stribling and State Road 7. They do have to contribute proportionate share payments for improvements in various intersections throughout Wellington and Palm Beach County. I don't recall Lake Worth and State Road 7 being one of them. Correct.

40:101

But there was other ones. And it's all based on traffic analysis between the two traffic engineers.

40:18 – 40:575

JAMES One of which who I spoke to. And he was excellent with the way he handled it. And Mr. Jean Louis, I think they totally understood where I was coming from. They even agreed to a certain extent that this may have been overlooked at this point in time. Hopefully, will go back to their people and maybe open up some additional talks about extending some issues that may alleviate that problem, which is going to be a major problem going forward, a major problem. So that's it on me with that. Thank you for letting me voice that.

40:573

I think those are valid points, Al, but I just want to confirm. Mean, that's kind of outside of the scope of

41:015

Yes, what we're I know doing right today, John.

41:043

Have the forum.

41:055

Exactly. I want you to go on the soapbox a little bit, and thank you for hearing me. I appreciate that.

41:113

To that point, has the issue with Castellina and the granting of additional properties have been resolved? Or is that still in discussion?

41:23 – 41:4512

Good evening. Kevin Ryan, development executive at Related Ross. Yes, for those that are not familiar with the topic is along Stripling's one of the proposed amendments to help alleviate traffic was a roundabout, which is at the happens to be at the entrance of Castellina and also directly across the way, the school. So it's actually

41:456

:Post the aerial picture that actually has it.

41:4712

:Yeah, actually I think that was in here. Where was that? Let's see. Which direction was it? Think it was this way.

41:5513

There's just like the site plan view.

41:5912

Yeah. No. There's aerial view.

42:006

The aerial picture.

42:0013

Oh, yes.

42:0112

You skipped over it real quickly.

42:06 – 42:2712

Can you go full screen here? So what you can see is on the the left side is Tribbling heading east. In the foreground is Wind Grove Academy. In the background is the related Ross development. But the proposed rotary that we're discussing, you can see on the lower left.

42:28 – 42:5512

And it has a small amount of land taking. It's only about 6,300 square feet to complete the roundabout engineering and planning. And because it was taking some HOA property, it had to go through a twothree vote, which the president has just completed recently, and they have in excess of the twothree required. So they're documenting that now, but they will agree to the rotary. And so it would be moving forward as part of our plan.

42:553

So that roundabout really is the ingress and egress for the school component of this development, correct?

43:01 – 43:1812

On the South Side, yes. It also benefits Castoline. It was specifically located to co benefit both properties. Also, just from a general traffic standpoint, if they had not been aligned with each other, it would probably have not been a good traffic layout. But just to confirm,

43:183

but that roundabout, obviously there's tremendous benefit for Castellan and for them to get

43:2213

in and out

43:223

of their community.

43:2212

Yes, it helps them.

43:233

But the access point into this section of K part really is

43:2812

the Oh, specifically for is the school. Specifically serving just the school.

43:3312

fact, the school, because it's a private school, does not JACKSON: intersect with the related Ross

43:412

I don't see that. I'm sorry. Go ahead.

43:44 – 44:0612

Oh, okay. Yes. So a very key point, which the way this site lays out and the improvements actually, if I can go to the specs of the site plan. Help me with the full site plan. I don't where it is. One second. Gotcha. Just the full site plan. Yep. Including the school.

44:1012

To the beginning. We go. Actually, I

44:1811

think it's better to go to

44:2012

Right before David was talking.

44:26 – 45:0312

Right here. Right here. The one before. There we go. Full screen, please. Just bear with me for a minute. All right. So what you see on the plan, and what's a very important aspect of the circulation of the school traffic, is lower right there's the pond which is serving the Life Church. And you'll notice there's a rotary by that pond. And that actually connects going east to a new traffic signal that doesn't exist today.

45:03 – 45:4012

So the majority of the school traffic that everybody's been concerned is concerned legitimately as to school traffic issues driven by particularly parental pickup and drop off in the mornings and afternoons, and the same for school buses, almost all of that traffic exclusively will be going to this State Road 7 component. The traffic going north is more administrative visitors and also serving the elementary school. So there's two rotaries. The one is the one that is opposite Castellan, and there's one that's actually on the Life Church property. Do I think that's the point that you're referring to?

45:4312

And this has gone through extensive vetting and review through the zoning process, the master plan approval, the traffic studies were presented in detail.

45:52 – 46:313

Well, fortunately, we're not here to sort of debate traffic and ingress and egress and all those variables that probably create a lot of concern for surrounding neighbors. Can we focus on the four buildings? Mean, we're looking at just height and we're looking at architectural design, material selection. So I love, you know, the powerful presentation on the overall master plan of the community, and I think it's a great benefit to the community. But let's just focus on the four buildings that we're discussing tonight. And then whatever order you guys want to present them, let's just take them one

46:318

at a time.

46:3113

Yeah, absolutely.

46:3212

Use the rendering stuff, right? I wouldn't try

46:3515

and use So the

46:4113

this is the first building. This is actually two buildings. This is D1 and D2. Yeah. David, are you still on?

46:50 – 47:077

I am. We're here. So I can describe this building in greater detail. It is exactly what Lindsay said. It's designated as D1 and D2. It's retail on the Ground Floor. And it's all just based on

47:072

You can

47:087

see that it's Speak actually up

47:081

a little bit louder, or make the microphone closer to you.

47:13 – 47:527

JOSEPH Okay. It's actually subdivided, you can see, into really into three parts in order to get it greater scale. You can see a lot of transparency on the Ground Floor, where will be retail tenants. And then more of an office expression on Floors 2 And 3. The material palette here is a combination of light colored brick, stucco, perhaps the third of the three massing components might even be a stone.

47:53 – 48:247

We don't have final selection of all of the materials. But you can see the color palette is intended to be not absolutely uniform, but generally light in color, to have some real texture to these buildings, but to use material and color as a way to create a scale in three parts. And the reason those three parts are joined is really to create an effective, efficient office floor plan on floors to integrate.

48:24 – 48:453

Let me just interject for a second. I know technology's come a long way, but I'm really struggling to really understand what's being said. You know, look, no disrespect. Think it's just obviously the technology. Is anybody here locally in this room representing the architect that can maybe just Yeah.

48:4512

I'm happy to help facilitate that.

48:483

So let's just look at this as Building 1. So on the Exhibit A site plan, this is what, D1, D2? Yes, it's D1

48:5612

and D2. It's really one building. It happens to be connected by a bridge. It's treated as one building from a design standpoint.

49:023

All right. So we're looking at this at a height of 42 feet?

49:07 – 49:2312

Yes. And just to be clear, this the 42 feet is a natural height that comes out of a three story office building. So, you know, it's about a, I think, 16 foot ground level retail, which is typical, and 13 feet for the two floors. And that adds up more or less to the 42 feet.

49:233

In each of these cases, that maximum height, including mechanical, elevator, that is the maximum height of any of the elements of the building?

49:3212

LENSY I believe it excludes certain elements as

49:34 – 49:4813

far There's as the a portion of parapets and mechanical equipment that slightly exceeds that 42, but that functional zoning definition to the flat roof is 42 feet. Okay.

49:503

Height is one thing that we're going to consider as a Board tonight for this particular building. And then the architectural details, the elements mature

49:581

Just the architectural details and the materials.

50:022

Not the high. Not high.

50:047

Not that.

50:044

No, we have nothing to do.

50:061

It's nothing. Yeah. The Architectural Review Board is only tasked of looking at the materials.

50:123

It's not how I understood it. I thought you were looking at the 86 foot as

50:213

All right. So let's look at this as Building 1. Does anybody have any comments or discussion on

50:25 – 50:386

So I understand you're varying architectural elements all throughout different materials and design styles. Is This like a very kind of simplistic modern style, almost not quite brutalistic, but a little bit plain.

50:38 – 50:5912

Yes. I think, and I'll try and speak. David, correct me if I misspeak. But in general, there is a sort of a conceptual theme that this should feel like a village that has been there for a long time, say mid century 1950s, 60s, 80s, whatever, but that has grown and matured in time. So it would have been kept current as it grew.

50:59 – 51:2612

So there is a mix of what I would call more traditionally inspired, but we definitely also wanted to have a mix of things that were more contemporary as well. And that's represented in some of the individual retail buildings as well as in this particular office building. The other office building, which is not over 35 feet, is the one that had the market in the base. And that had a much more different look. So as David mentioned, there's a specific goal to achieve variety and a good balanced mix of contemporary and traditional.

51:28 – 51:413

I mean, I personally like the blend of design and materials, not just for this building, but kind of throughout the entire development. So while we're on this building, do we have any other comments? Anybody else want to weigh in on this?

51:41 – 51:564

No, was going to say I actually like the way that they've kind of mixed the rounded edges with some of the square edges. It gives it a little bit of character. What are the metal casings for the windows? Is that kind of a bronze color or a

51:5712

David, could you I'll try and interpret the I believe it's more of a metal finish that is the vertical elements. David, is that correct?

52:05 – 52:377

That's correct, Kevin. I hope you can hear me. Yes, the intention is that that's a painted metal. Again, reflecting that this office above, and that's kind of an office metric, but also connecting the Ground Floor to those two upper floors. And as you can see on this corner, having some setbacks so that we do we're very respectful of the scale of the street and getting as much daylight to the street as possible.

52:37 – 53:0112

So one of things I think Dave is referring to, and this is maybe the one place in the project where this is specifically done, is the storefront design on the ground level. You can see the piers actually go up vertically and stylistically are picked up on the second, third floor to provide kind of vertical continuity. Because in general, most of the retail buildings are just one or two stories. So I think there's been a nice design effort to balance the retail and office objectives.

53:03 – 53:153

Okay. So the four so this is D1 and D2, basically the We'll design elements and do the hotel last, if we can. So we can we go to the next item for approval? G4?

53:1912

So you'd like to I'll speak this again is

53:213

This is G4, just to confirm this

53:2312

is is G4.

53:2413

Okay. So

53:25 – 53:5212

just again, programmatically, so everybody understands what you're looking at. There's a Ground Floor that's a restaurant, and also there's actually two premises, one which you can't see, but there's a bakery intended tenant, but it could be somebody else. But generally speaking, it's a restaurant use as extensive outdoor dining. And the intent is, in this marketplace, that we think there's a lot of demand for social events. And we're looking for restaurateurs that do both dining as well as event facilities.

53:52 – 54:2412

So it's specifically designed in event facilities typically have a taller height requirement, particularly as they get a little bit this isn't a convention center, but it would be, I think, about 4,000 or 5,000 square feet of event area. So you need a little bit taller space, which is leading to a relatively tall space. I do think architecturally, and you can see it quite clearly, the element that is taking us to the limit is just this rear element that has the peak roof in it, which is an architectural stylistically thing that I think is very beneficial to the building. Because in general, most of the building is under that requirement.

54:243

Is this the west elevation? What are we from the

54:2712

This is facing the water side is due west. The other side is north, facing onto the major public green of the project.

54:353

So you're going get some pretty brutal sunsets coming in. Brutal for a

54:3912

while, but beautiful at other times.

54:413

Doubt. No doubt. You doing anything to sort of mitigate sort of that intense sun in late afternoons in the summer?

54:47 – 55:0712

Yes. It's maybe not fully developed conceptually, but what you do see here is an exterior element that is a covered outdoor dining area, and it has louvers to sort of shield the sunlight. Probably in time we would add other things like shades that could come down during the, that are mechanized, that could come down during the most direct sunlight hours.

55:075

I'm sure they'll

55:073

get it figured out when nobody wants to sit outside. But

55:1012

however, the good news is that there's also the element on the left that is outdoor dining that faces north, and it sits right on the green. So there would be very popular dining on the north side of the building.

55:193

I think it's great. Any comments, questions, concerns? Okay.

55:29 – 56:1512

And then this is I'll just take you again down the So I know we said they're not speaking to height, but the height in this intent was sort of a focal point for the project. And as you move down the street, architecturally oops, I think I went the wrong way, sorry. Get a little bit closer. So this one, I think, the exterior design of this building is intentionally somewhat urbanistic as opposed to suburban in its intent, as an element that is the tallest element within the project and seen as a village hotel. It is, I think, trying to strike a balance between the more contemporary look as well as still having a traditional element to its architecture.

56:15 – 56:4212

And it has a very central point in the middle where we're focusing on the axis of the hotel road, a really beautiful motor court that has both restaurants, the hotel, and retail on it. And then that central element is the marquee component of the facade design. And it does have setbacks as you go up in various efforts. David, maybe you could try and pick up on any other comments you'd like to make. Speak clearly, if you can.

56:42 – 57:057

DAVID Yes. What we're really trying to do is create scale at ground level. And you see the covered trellis way that connects from the right side to the left side. We've created a focus at the front door that goes all the way up the height of the building. We intend that to be clad in stone.

57:06 – 57:537

And then on the left and on the right, we'll have more a combination of precast panels, but with metal framed windows inset on the interior. And then you can see the intent being that the top floor has a sense of an attic story, kind of stepped back very, very slightly. But also the idea of operable sash that allows you to open your doors and have a balcony rail on that upper floor. We really intend this architecturally to be the termination of that street and to be a destination in a style that is kind of the grand hotel.

57:56 – 58:183

Look, I may be in the minority on this. And for your sake, that's hopefully the case. I look at this, and I mean, this is sort of the elephant in the room. So when I look at this site and we're looking at building heights, materials, design, this is the one that stands out as 86 feet. I don't have a problem with the height, and we're not here to debate that tonight.

58:19 – 58:583

But I shared some renderings earlier today on the Zoom call. In this environment, I think you guys have done a great job of bringing all these other building materials and elements and design from mid century to sort of more contemporary. But to me, this hotel stands out as a very urban design, somewhat out of place in this environment. And so I'd like to see if there's a way that we can't soften this and incorporate some warmth, some character, some charm that, you know, I don't know, looking at this, if this is going to be a hotel or a self storage facility. Look, you guys are experts in this.

58:58 – 59:173

And you've got a track record better than anybody in South Florida. So I just want to share my personal points of view and to see if there's a way that we can incorporate some warmer materials. Know, I look at all the windows, everything's rectangular, some arches. Balconies or something. Just some things to kind of soften this in

59:17 – 1:00:0212

We this can certainly take that advice into consideration. We are at the I would say we're in design development. This is not advanced construction documents or even midway through design development. The color palette and the material palette we're still working on. I will say one thing, which is this building also in the night, we don't have a nighttime view, but this could be an absolutely stunning environment at night. This entire motor court, the landscaping, the attention to Ground floor, as well as how this verticality could be lit. So I do think it'd be quite stunning at night as well. I think one of the images you shared with us was an evening view. So that had the benefit, I think, of lighting. But yes, we'll take your advice into consideration as we are literally still in process of advancing the design.

1:00:0312

It's good timing.

1:00:04 – 1:00:153

So Kelly, let me direct this to you then. So if we've got concerns over this architectural sort of design and style, is that being discussed tonight? Do we kick that back for them to come back with other alternatives?

1:00:16 – 1:00:511

So you can approve it with the recommendations to alter the architectural design with the suggestions that you have with the warmth, character, charm, incorporate arches, balconies. When they go to council and if the height is approved, the architectural design, that design is part of the approval. And then in the future, if they decide that they want it to look a little different, they'll have to come back to the Architectural Review Board to make those modifications.

1:00:52 – 1:01:113

So in terms of the cycle, I don't want to delay things. So in terms of process and timing, if again, I'm one person speaking at this point, if the recommendation was to come back with a slightly modified design, does that interfere with the schedule of hearings with counsel?

1:01:111

Yes. They're they're scheduled for their final hearing on March 10.

1:01:163

On March. Okay. So that's the next council meeting.

1:01:191

can make I don't those

1:01:206

think you're complaining about the actual size of the hotel, the scale,

1:01:2311

the It's not the it's just the style, yeah.

1:01:243

Just the overall architectural elements.

1:01:276

I agree.

1:01:28 – 1:01:391

And in the future, if they make changes to the design and it doesn't affect the height, which is what council approves, then the only board that they'll have to go to is ARB to make

1:01:3911

those changes.

1:01:396

Right. And if you look at bottom, it says conceptual rendering design in progress. So it is in progress. So that doesn't mean we're going to necessarily hold anything up, which I don't want to do that either.

1:01:48 – 1:01:591

No. But like I said, if it's something if something does change and it's not part of the height, then or if it's yeah, if the height is not part of that modification, they'll come back to ARB. They'll have to

1:01:59 – 1:02:313

come Yeah. Personally don't have a problem with the height. I think the location of it where it's set, it's far enough back from State Road 7 and from Stribling. I think with the landscaping and all the other activity, I really don't think it's going to be an issue. I would just be concerned about approving what I'm seeing in terms of the physical design and architecture that's being presented tonight. So if there's an opportunity to keep this on track, but have them come back and maybe provide a couple alternatives, I would be more receptive to that.

1:02:31 – 1:02:511

Well, would make a recommendation to approve it, but include all of those comments that you had, that if changes are being that they're still in the design phase and this may not be their final product, that when they come back for any alternatives that they include these changes. DAY:

1:02:515

If I may.

1:02:533

JAMES Absolutely.

1:02:53 – 1:03:365

I like what I see. I totally understand and respect what John is saying. But if we approve this, okay, with these exceptions, with all due respect to them, they don't have to come back with any other drawings because technically this is approved. So I'm feeling that the only way we can kind of force them to come back with possible other drawings or renditions is by disapproving this.

1:03:361

Well, so even if you recommend denial, it's the recommendation to counsel. Counsel is the ultimate one that will approve it.

1:03:44 – 1:03:595

You understand what I'm saying? I know what you would like to see, and I think that would be a good idea. But I don't, you may not get, or they may not even have to come back with any other drawings because we're approving this.

1:03:593

Absolutely. I'm not looking to deny this. Right. Just to set the record straight, guys. This

1:04:035

is You understand what I'm saying?

1:04:05 – 1:04:163

Absolutely. But, you know, I'm also fearful of it. If we do give you the approval, that you could say, don't pound sand, and you approve this, and we're taking this to counsel for final approval. Exactly. Exactly. So,

1:04:17 – 1:04:371

yeah. So again, this is a recommending body for this application. Yes. I know it's not a common it's not a common usually when you make your recommend or you make your motion, it's either approved or denied. But this is just a recommendation to counsel. So counsel can take your recommendations and require them to make those changes, or they can just And

1:04:376

they can tell

1:04:383

me to bounce back.

1:04:391

Yes. And

1:04:42 – 1:04:573

look, guys, I promise you, I'm really not trying to throw a wrench in this in any way. I appreciate what you guys are bringing to this community. This is obviously well thought out, well planned, and you guys have a history of executing flawlessly. So we want to make sure that

1:04:58 – 1:05:289

Mr. Green, we totally understand. Look, my name is Ken Tube. I'm with Urban Design Studio. Here with Mr. Ryan, who is here for related to Ross. We did talk about I mean, we're not done yet. I mean, we're the first person, but we also have to get this height approved, right? So that's a step in the process where we're at. Mr. Ryan already told me, he's certainly he's looking at the buildings. It does need to be warmed up. He's correct. So we are going to continue to work on it. How that fits in the process, we have to figure that out amongst ourselves, but our goal is to move forward tonight to get to the village council. Okay. I'll

1:05:2910

back for a minute. Just want

1:05:303

to give everybody a chance to speak in.

1:05:32 – 1:06:016

I also have no problem with the height. I think this is kind of like the grand centerpiece. And it should be the grand centerpiece. And you have a lot of liberty in terms of architecture to do that. And if I look at I know this is not the final thing, so I'm not gonna criticize that. But if I took this picture and I put it anywhere, could be anywhere in America. It's just a box with a bunch of squares. Right? I I know there's more detail than that. But I got I I just want you guys to do use your architectural skill and brilliance and come up with something amazing that you're going be proud of fifty years from now that, hey, this is Wellington.

1:06:01 – 1:06:216

That's all I want to say. And you have our blessings, think most of us. And I think it's a great new urbanism project that's, you know, all the concepts are there. I love it. I think I want to let you guys have your artistry and come up with something spectacular. That's all I'm asking.

1:06:22 – 1:06:424

Yeah, I have to agree. I mean, I love all the other designs, the other buildings. But then when you get to the tallest building in the project, it's kind of cold. And for being the, you know, the tallest building in the project, I just like, I agree. I think it needs to be softened to kind of match the rest of what we're seeing here, which is really beautiful.

1:06:43 – 1:07:065

Gentlemen, we're all very excited about this project. We couldn't be more pleased that a company like yours is the company that's going to be handling this entire thing. You understand our concern, we just hope you act in the professional manner that you always do, and come back with us with, you know, a couple other ideas. We don't want to hold up anything here. Thank you.

1:07:068

Maria, any thoughts?

1:07:06 – 1:07:182

Just a question. Will the hotel have like ballroom convention ability to hold conventions, meetings?

1:07:18 – 1:07:4712

This particular hotel does not have a significant meet it does have some meeting rooms, but more like small conferences. That's specifically why we have the restaurant with the event facility next door. But even that event facility is not that large. It would handle a, a small to medium sized wedding, nice social events, but we do not have ballrooms or convention space. And we hear you clearly the good news is David Manfreddy is on the phone, and he's hearing this direct himself.

1:07:473

He's making notes.

1:07:4812

He's a fantastic architect and we are in design development. We are not at the completed stage, so I think it is a good time to have some helpful suggestions.

1:07:55 – 1:08:206

I think one of the not how the building looks, but one of the concepts I know you've gone to Palm Beach and you've been to the Colony Hotel. Everyone loves that as a everyone knows Colony Hotel. I'm not saying it should look like that. I'm just saying, you know, the garden in the back with the pool. And you have all those abilities to do that. It faces the lake. There's that beautiful opening. And I don't think we're looking for conventions per se, but people can host a wedding. People can have small events, like you said. I think this fits need. If you want a convention, you go downtown.

1:08:2012

Correct.

1:08:216

We're the that's the hub. We're the spoke. And we get that. We don't need to be the convention center with more traffic and everything else.

1:08:2912

All right. So we'll be refining I'm sure we'll share with you where we end up in our next round.

1:08:356

Thank you. You so

1:08:363

think we've got And

1:08:3712

as was mentioned, we will be back as we move through the other approval stages for all the different buildings.

1:08:443

We're going

1:08:459

to be back with the next one we can give you.

1:08:465

And we'll share it when we

1:08:4711

get That's great point. Procedural. I was trying to think procedurally how to get to where you want

1:08:529

to go. We're going be back in front of you again for the other buildings. We'll bring you up to date on where we land on this one as we move forward, and we'll be able to have comments on it.

1:09:00 – 1:09:193

Look, we look forward to working with you guys. And you've got a lot of support on this board, and I think throughout the entire village. We just want to make sure that we're putting the best product out there for the community. And your name's on it, but it's in our town. So we want to make sure that we're good partners and you're good stewards of the legacy of Wellington.

1:09:199

Understood. And we obviously the Relay, the Ross team have many members of their team who live here also. They're very

1:09:263

focused. John,

1:09:2811

I think we all agreed with your notes. But I'd love to hear what they are before

1:09:34 – 1:09:523

As far as notes? As far as notes are concerned. Look, think it's more direction than specific notes. It sounds like we've got consensus on this board. I mean, I'm happy to make a notion in motion and incorporate some of the talking points that I think we've all kind of shared.

1:09:53 – 1:10:253

I think the direction is that we want to see something a little bit softer, little bit more compatible with a more suburban, rural environment, if we want to call Wellington rural. But this just strikes me as very urban, very stark, lacking of some character and charm. So if you guys can kind of work on that, you're the experts. I think you've got good direction from this Board. We're not the final say, but we do have a lot of input in terms of the design that we'll recommend to counsel.

1:10:25 – 1:10:403

As Kelly said, we're the advisory board. We're not the final decision makers. But if there's not much of the discussion, I'll be happy to make a motion. And Kelly, if we can incorporate that into the motion, we'll let these guys REPRESENTATIVE:] come back with something great.

1:10:421

Is there a second?

1:10:435

I'll second.

1:10:443

All in favor? Aye. Any opposed? Hearing none, passes unanimously. Thank you, guys. Appreciate it.

1:10:525

Thank you very much.

1:10:5312

Thank you.

1:10:537

Thank you.

1:11:221

Next up is tradition number 2026Dash0002DashARB, family church elevations and materials.

1:11:38 – 1:12:1816

Good evening. I'm Jonathan Sandoval, planner here for the village of Wellington. Tonight, am presenting petition number 2026Dash0002DashARBFamilyChurch. Owned by Family Church dash fifteen LLC, the parcel consists of five acres and the request is for ARB to approve new construction of a 33,462 square foot church facility. The subject the subject parcel is located at 12700 Forest Hill Boulevard built in 1978 and was purchased by the owner in 2024.

1:12:21 – 1:12:5516

Here are two images of the subject parcel with existing conditions looking both north and south. Next is the proposed site plan for the new construction of Family Church. We now move on to the proposed elevations. Currently displayed are the east and north elevations. And following are the west and south post elevations.

1:13:02 – 1:13:4016

We then move on to the site amenities. Being displayed are the benches, bike racks, and waste receptacles that will be provided throughout the site. There will be a total of six benches, three bike racks, and four trash trash receptacles. Now above is the material and paint legend that presents the finishes and colors that will be used in the proposed new construction. Finally, we get to the condition of approval.

1:13:40 – 1:14:0116

If ARB votes to approve petition number 2026Dash0002Dash ARB and the new construction of Family Church, the staff will provide the following. I wanna thank you for your time. I'm now available for any questions.

1:14:0211

Thank you.

1:14:093

Long time no talk.

1:14:1211

Yeah, right.

1:14:133

Welcome back.

1:14:161

There you go.

1:14:162

Go ahead. Great.

1:14:19 – 1:14:4913

And thank you so much. Again, Lindsay Jean Louis with Urban Design Studio. This item is specific to Family Church Wellington, which was the old First Baptist Church Wellington site, to the ARB board for the request of the elevations. And as you can see here, the site contains an existing church located at the Northeast corner of Forest Hill Boulevard and Guilford Way. And this is just the existing conditions of the church as it stands today, but it is owned by the family church network.

1:14:50 – 1:15:0813

And then their idea of neighborhood church is really just tapping into the community. So of course, they have their main downtown West Palm campus. But Sherbrooke, have Jupiter, they have and now coming into Wellington. So really establishing a neighborhood footprint. And here's the approved site plan for the existing church.

1:15:08 – 1:15:4013

To date, only this northern portion has been built. But there was a portion of a plan phase two which they never came forth with. And here we have our proposed site plan which actually maintains the access points but proposes one building within the center of the site, a storage building to the north, and a dumpster enclosure just south of that. So I'll pass this off really briefly to Felipe Adamburo, who's our architect on the project, to more speak to the materiality and colors on the elevations.

1:15:42 – 1:16:3414

Good evening. So I'll pretty much keep it short because I know we're here for a while now. But basically, the main goal of the design concept is we try to match the concept, the elevations of the village of where we're standing in right now, as you can tell, sort of matching the standing seam metal roof, like a charcoal gray, like the beige colors with the wainscoting being a little darker to kinda have a nice little contrast to it. And right now, we are presenting to you, as you guys probably have in front of you, is Sherwin William colors, but we also have some options of maybe adding in some stone to give it a little bit more of a strong presence in the neighborhood. And as Lindsay was saying, this is sort of, like, gonna be the the neighborhood church where it brings a lot of people together.

1:16:34 – 1:17:1114

As you guys could tell, family church already brings in a lot of people. And this building alone now, you know, 33,000 square feet, is gonna sort of amplify bringing the community together with just this type of architecture because now they're gonna see not just the village has a beautiful design, but now the church itself also matching sort of that concept. Here's the of the north elevation. So like once you enter from Forest Hill, this is one of the first things you'll see on your right hand side. You'll kind of see like the tower giving a, a nice little presence.

1:17:11 – 1:17:5314

We tried to match the whole tower concept you guys have here with the clock tower along with our elevation, meaning that the tower is one of the first things you'll see as you drive along Forest Hill. Here is the main west facade that as you drive along Forest Hill, this is what you will see with the open gable presence where the actual sanctuary is. And then on the south side, that is where the classrooms will be. You'll have a playground in front of it where basically the children will come outside and play. And also, we'll have some awnings there to kind of help with the sunlight.

1:17:56 – 1:18:1714

Here is the south elevation. So same thing. As you're driving towards Forest Hill and you turn into the neighborhood, this is also the main facades that you'll see. And then basically, the storage building kind of just carries the concept, carries through the concept of what already we're trying to propose to family chairs. Same thing, standing seam.

1:18:18 – 1:18:4414

The beige colors with the strong gray accents. And the separated dumpster enclosure, which we're making sure stays 100 feet away from any neighborhood properties. Just another view of the elevations. Same thing, the awnings, sort of just to help with some sunlight, give it a little the design a bit more presence in the playgrounds. And of course, it'll have some lighting.

1:18:48 – 1:19:3714

And as I was talking about, here's the material palette that you'll see. Basically, we can either go stay with the Sharon Williams colors, or we also have the option of going with a company called Ariscraft, Some nice precast stone colors, limestone, satin, or a Montecito gray along with, like, a wood style color for those louvered areas that you see in the main facades that I could just go quickly back to along the classroom when in the middle between the classroom windows upstairs and downstairs along with the sanctuary main facade area, the open gable right there, sort of the brown that you'll see there. And I'll pass it back over to Lindsay.

1:19:383

Well, while you're here, do you have any images of some of the alternative materials you just suggested in the limestone?

1:19:4414

I do have the stone, but it is actually in my car. They're a bit heavy, so that's why I didn't bring that. I wasn't sure.

1:19:523

So would it be a cladding on the building in what areas?

1:19:55 – 1:20:1914

Correct. It'll be I'll show you right now. So in the storage, the only cladding you'll see is right there at the wainscoting level, up to 42 inches. In the main facade so in the classroom area, so the south side to the right, as you see in the elevation, only the wainscoting. Everything else will be stucco.

1:20:19 – 1:20:5914

The cladding will be actually on the main facade of the sanctuary, which is the open gable along with that sort of one story flat roof area where you see the cedar windows. Same thing here. This whole facade will basically be cladded except the egress tower right there in the middle. But to help, basically right here on the right hand side, the taller portion, that will be the main cladded with the limestone. But everything to the left of that will just be two: sort of a painted stucco beige to kind of match that cladding.

1:20:590

SPEAKER Is it an actual limestone or is it a cast stone?

1:21:02 – 1:21:1314

It will be more like a pre cast stone. Yeah. Of course, if you guys really do want to see it, I don't mind going to my car and grabbing it.

1:21:133

I'm familiar with the product, so I would imagine it adds significant cost, though, to the construction.

1:21:1914

Correct. Which is why we also have the alternate for the paint colors.

1:21:24 – 1:21:5714

Which will probably be with a scored stucco to at least kind of match those grout lines to kind of give that presence, give that strong concrete presence, showing that this is the sanctuary, the main part of one: the church. And has the applicant are they on board with making a material change and upgrading to a cast stone? The original intent is actually the stone. But now that we're going through bidding, they asked us for an option of a value engineer if it comes to once they get a final number.

1:22:003

And Kelly, what's the maximum height on this? Is this is he's thirty five feet?

1:22:041

The maximum height is 35. What is it saying on there?

1:22:0714

We're actually the tallest portion is at 34 foot nine.

1:22:111

And the height of the building of this type of building is measured from the midpoint of the roof. So it's actually less than 34.

1:22:193

Okay. All right. So there's 43 sites I should ignore.

1:22:211

Yeah. Okay.

1:22:2414

We're using a manshed roof system too, just so

1:22:266

you're aware.

1:22:282

So what's happening with the existing sanctuary?

1:22:37 – 1:22:5813

church is still active using that if I'm not mistaken. And there's a phasing plan to actually keep that building and then the associated parking with it to construct sort of the parking for the new building and then the drainage associated with the site. And then once sort of the southern portion of the site is developed, then that existing facility will get demoed.

1:22:592

Demoed, flat and gone? Yes,

1:23:02 – 1:23:1613

for the existing building, correct. Okay. And I think, I mean, other than that, it's just the site furnishings that Kelly had mentioned.

1:23:163

MR. Go back to that previous slide. Yep, right here. No, next one. You went through it quick.

1:23:2313

Is it the rendering or?

1:23:253

It was a rendering.

1:23:2513

Yeah, here

1:23:27 – 1:23:393

Okay. So looking at this slide, so tell me exactly where the cast stone would be instead of what you're showing here in terms of a value and engineer option.

1:23:39 – 1:23:5514

All right. So all of this is stucco. Right. And then just this main sanctuary facade will be the cast stone. And at the tower, it will be only the wainscoting level, while above is the stucco.

1:23:553

So the cast stone on the upper portion next to the window with the cross and the lower?

1:24:0014

Yes, sir. This would be an eight inches by 24 inches cladding, and this would be a 12 inches by 24 inches cladding.

1:24:11 – 1:24:553

MR. Like, I'm really good at spending everybody else's money. So I personally would favor the cast stone. JOSHUA Agreed. The texture of it is just It's a much richer look. I think it just it looks more natural. It separates this from just sort of a pedestrian sort of design to more elevated architectural style that I think would work very well. Overall, I love what you guys are doing. I think it's going to be a great addition to it. I'm really happy to see the growth of expansion of faith based institutions, regardless of what your beliefs are. So I think it's a real benefit to the community. So I would like to see this come back with the cast stone, which was, I think, the original design to begin with. Yes,

1:24:55 – 1:25:092

sir. So entrance into the property, as we're looking right here, is going to be over on as we're looking, it's going to be on the left. You're going to pull in.

1:25:0913

Yes. It's going to be sorry, to the left of a so the access is just kind of the left or due north.

1:25:162

Okay. And the existing sanctuary, so for farther left, where's Correct, parking going to be?

1:25:242

Where is parking going to be?

1:25:26 – 1:25:3713

Oh, the parking is going to be so I'll show you kind of the site plan view. So where my cursor, if it's coming up, where my cursor is hovering is kind of where the existing sanctuary is.

1:25:38 – 1:25:4913

The proposed building is more central to the site with parking proposed to the south along this eastern strip and then to the north.

1:25:492

What was the thinking of putting the playground in the front of the building, closest to the road?

1:25:59 – 1:26:2613

We wanted to make sure that there was enough of a setback, and then to also work with this sort of main worship center design, and then the educational and office space wings to the east. So there is, again, sufficient landscape buffer as well as a fence to screen that. And we've been in coordination with staff during the site plan process.

1:26:272

Okay. Thank you.

1:26:2813

Thank you.

1:26:333

Any other comments?

1:26:3513

My understanding is there's two fifteen parking spots.

1:26:433

Comments, anybody else? No. Okay. So how do we want to move this one forward, guys?

1:26:524

So the staff

1:26:5511

Do we want to open

1:26:561

for public comment?

1:26:583

Got you. Motion to open up public comments. Second. All in favor?

1:27:043

Any opposed? Aye. Motion passes.

1:27:071

Don't have any.

1:27:093

Motion to close, public hearing.

1:27:123

All in favor?

1:27:14 – 1:27:373

Motion passes. Okay. Look, I like it. My only recommendation would be to let's go back to the original material selection, which I think elevates the entire development and swap those materials out to the cast stone. That would be my motion for Petition 20 six-two ARB.

1:27:3911

I'll second.

1:27:393

All in favor? Aye. Any opposed? Motion passes unanimously. Thank you.

1:27:4711

Thank you. Okay. Thanks, guys.

1:27:591

Up is petition number 2020Six-threeARB, Lotus Wellington one signs for Buildings 346 And 7.

1:28:21 – 1:28:4015

Hi. Good evening. David Newell, Planning and Zoning Division. Again, before you is the Lotus Wellington signs for Buildings 346 And 7. This was before the board in May, where they requested the master sign plan, if you recall.

1:28:41 – 1:29:3115

I know you've seen the Lowe's project several times. But this, again, to go over, it's the two buildings, or actually four buildings as soon as you come into site on the north and the south side of that Main Boulevard. The request again is to amend the previous approved master sign plan, which at that time the applicant wanted to have a uniform look with the channel letter signs, all the same color, all the same font. Since then, the tenants have provided feedback and requested that they allow them to have their own design, their own trademark. So the applicant is back requesting to amend the master sign plan to allow that.

1:29:32 – 1:30:0415

So again, this, the the LDR does not require the the signs to be uniform. It just requires that if the applicant does propose that it be part of the master sign plan. So it's not a requirement of the LDR for them to be uniformed. This is some of the signs that were approved at staff level. With the idea that this is not necessarily a code requirement, but mainly a master plan condition.

1:30:05 – 1:30:5515

And for this to come back to the board to finalize the document that were approved as part of this project. So again, in summary, these conditions that were previously approved will remain. The only condition that's really added to this is just to indicate that the tenant wall signs would be allowed to provide their, each tenant would be allowed to provide their own colors, font, design. The landlord will also provide approval indicating that they have reviewed the signs and approved them as it relates to those colors and the font. All other requirements, meaning the size, will remain as previously approved by the ARB.

1:30:55 – 1:31:0615

So there will be no changes there. At this time, this concludes staff's presentation. And I'd like to enter this file into the record. The applicant is here to answer any of your questions.

1:31:12 – 1:31:420

Hi there. This is Rich Kasser with Lotus Wellington and Lotus Group. I don't think we I have a presentation. I don't think we need to go over it. It's it's pretty self explanatory and very simple. But, yeah, the request came from they came in front of this board in May 2025. And at that time, we really wanted a very uniform look with the white letters and they were, lower levels were floating on the on top of the the awnings and then the upper levels were actually on the building. And,

1:31:45 – 1:32:120

the tenants that we spoke to were in favor of that. And then when it actually got approved and they went to go design their signs, they said, oh, no. You can't have colors or you can't have, you know, this. And and then they said, well, what? No. We want that. So, you know, we're we're not in in objection to anyone putting their own brand colors and stamps on the buildings. And I think those signs that are installed look very nice. So I'm here to answer any questions.

1:32:163

Question? Hi, Marie.

1:32:17 – 1:32:302

So the these buildings that we're looking at are facing State Road 7, or are these the buildings that are farther back on the property?

1:32:30 – 1:33:090

There's four buildings. Right. So Buildings 3 And 6 are the two story buildings. The primary signs on those face East State Road 7. So first level floats on the awning. Second level is actually on top of the building. Buildings 4 And 7, those have their primary signs face into the project. So Building 4 faces South, Building 7 faces north. And then their secondary signs are on the east side of the building. And those face east. But those are, those are smaller. Those are half the height of the primary signs.

1:33:102

Okay. Thank you.

1:33:145

And we're looking at no restrictions whatsoever as far as fonts, colors, lighting, anything with these?

1:33:25 – 1:34:000

So we look at them on a case by case basis. We did have one tenant that has a very, very loud logo. It's a big green triangle with their name diagonally. And we said no to that, that they would just have to do more lettering than anything else. So we review it from a landlord perspective. But we're not here to limit anyone's use of their own branding. But again, we'll we'll we'll do something that looks good and, you know, is within the spirit of the buildings.

1:34:00 – 1:34:156

Yeah. Thought the they did a really good job in the coffee shop with the cursive and actually better than I thought it would look. Yeah. So so you have your own internal review because obviously it devalues your property if it looks gaudy and crazy looking. Right?

1:34:15 – 1:34:270

Yeah. Yeah. And so some of the tenants upstairs have installed their signs. So Onyx Hospitality is one. We toned down a few of their colors. And then Soft Hands Dental, we worked with them on

1:34:270

font to space the letters out a little bit.

1:34:324

The project ultimately reflects on you, so you don't want it to look like

1:34:385

Don't be scared to rein them in.

1:34:400

No, no, no. Trust me, I'm not afraid of them.

1:34:43 – 1:35:053

So appears that most of this is really internal in terms of how it's viewed by customers. Not much impact really on the 441 Corridor. So it's really internal. Does this create problems for you if we allow this? And then you've got tenants that have gone with the sort of uniform sign. How are you going to address that?

1:35:050

It's already been addressed, and it won't create any problems.

1:35:113

The requirement at this point to be more uniformed? Has that created problems with potential tenants?

1:35:170

No. Because now we'll be able to allow them their own fonts within subject to internal review. And obviously, Damian, you know, any of these signs,

1:35:253

whether it's custom branded, you've got the size, color requirements, and the same standards apply.

1:35:32 – 1:36:0015

Correct. The size of the sign, we have those requirements. In terms of the color, with this approval, there will be no restriction on the colors from a master plan, master sign plan perspective. In terms of lighting, there's still a requirement for that lighting to be white light. But again, in terms of the branding, the color of the wall sign itself, there's no restrictions with this approval.

1:36:003

And staff is comfortable with that, without having restrictions or some review of the Again,

1:36:06 – 1:36:4515

we still review it. And if it was any other sign that came in, if it was part of their branding, we wouldn't restrict the branding, the color based on the branding. So that that is something that we already, we we can't restrict it. It's something that's required to for them to use their brand color. The only restriction was the fact that each project can have their own restriction and provide that as part of their approval, which we would continue that approval process as we review the building permits. Look,

1:36:45 – 1:37:043

I'd like a very uniform look, but I also understand that, you know, people make big investments in their companies and their brand. It's a big part of their operations. This is really more of an internal aesthetic than it is really impacting any of the major corridors. So I personally don't have a problem with it.

1:37:066

We'll hear that as well.

1:37:073

Yeah. Okay. We

1:37:091

open for public comment.

1:37:113

Make a motion to open public comment.

1:37:1211

I'll second. All in favor?

1:37:15 – 1:37:263

Aye. Opposed? Hearing none. Kelly? Motion to close public hearing? Second. All in favor? Aye. Motion passes. Go ahead, let us take it.

1:37:264

No, I'll make a motion to approve twenty twenty six-three based on staff's recommendations.

1:37:323

I'll second. All in favor?

1:37:363

Motion passes.

1:37:3710

Thank you very much.

1:37:383

Appreciate it. Busy night. I'm not used to all this. Gonna pay it over time.

1:37:481

Yeah. Two long nights.

1:38:0216

Get off in

1:38:034

the top.

1:38:0412

Thank you. Okay.

1:38:081

Next up is petition number 2026Dash0004DashARB, Life Church elevation and signage.

1:38:17 – 1:39:2616

Good evening again john sandoval planner here for alleged Wellington I'm I will now be presenting position number 2026Dash0004DashARB Life Church renovations Owned by Life Covenant Church Incorporated, the parcel consists of eight point eight eight point five eight acres and the request for ARB to approve the elevation and signage for Life Church. The subject parcel is located at 3061 South State Road 7 near the K Park project with the church facility being built in 2009. Here are two images of the subject parcels existing conditions. Next is the proposed site plan for the new construction sorry, for the construction and renovations of Family Church I mean, Life Church. We now move on to the proposed elevations currently displayed are the east and west elevations.

1:39:34 – 1:40:2116

And the following are the north and south proposed elevations. We move on to the technical deviations for the wall signs as displayed above sign one as a primary wall sign requesting a 24 foot box sign area deviation and a three inch height deviation. Sign two requires no deviations though an additional deviation is needed as a total combined sign area for both signs surpasses what is allowed by 63 square feet. Now we move on to the technical deviation for the monument sign. As displayed, you can see the current monument sign along with the new one being proposed.

1:40:22 – 1:40:5716

For the proposed sign, the technical deviation is being requested for the four inches in height and 12.55 square feet in box sign area. Finally, we get to the condition of approval. If ARB votes to approve petition number 2026Dash0004Dash ARB And the renovations of Life Church, the staff will provide the following conditions of approval. Again, you for your time. I'm now open to questions.

1:40:583

John, these are the material samples Yes,

1:41:0011

yes. Have that

1:41:013

being proposed.

1:41:0116

We have the architect here as well.

1:41:052

Oh, shit. Sorry. Just tear it apart, John. Yeah.

1:41:1010

do it, right? Well, to be fair, I don't think came in great condition. So my apologies for that. It had a rougher flight than I did.

1:41:173

You can charge the village.

1:41:1810

I'm Ryan Walker. I'm the architect.

1:41:202

Could you put the microphone closer?

1:41:2210

I can try. I have to get really close to it, I think. I'm Ryan Walker. I'm the architect with Life Church. And I'd be glad to talk through or answer any questions you have.

1:41:33 – 1:41:563

The first thing that popped out at me is we had an earlier application that presented some darker colors that didn't seem to get a lot of traction with this board here. I know we're not being asked to incorporate this into an improved color palette village wide. But I'm looking at this going, didn't I see something very similar about an hour ago.

1:41:5711

I would also say that that color is more of

1:41:591

a secondary wall color. I think your primary is the lighter gray on the top.

1:42:05 – 1:42:2910

Yeah. The heavier dark color that's associated with our auditorium is yeah. I'd I'd consider that a secondary color. The the medium and lighter gray tones are kinda more of the base color of the rest of the, remainder of the building are more prevalent. It does feel really heavy if you look at the back. I can't deny that at all.

1:42:296

The back face is basically

1:42:3210

REPRESENTATIVE:] a

1:42:320

shield of trees, right? Mean, it's going into the facing the athletic fields of the new school or something?

1:42:376

Correct.

1:42:386

So it's not even visible, really?

1:42:39 – 1:42:5710

Yes. It's, it's pretty pretty blocked off from any any views. I did I was looking at the renderings that, they're shown earlier, and I thought, oh, okay. Where where do we fit out with that? And, yeah, there's still that row of trees, and so it's it's hidden nicely.

1:42:571

And life and the school will be required to put a landscape buffer in there as well. So it will have double screening.

1:43:076

Yeah. I think the darker I mean, I'm looking at this compared to that other panel. Actually more of a

1:43:124

No, it's more of a lighter gray.

1:43:133

Not a stark. Like charcoal.

1:43:166

Yeah. It's also a highlight color, a trim for the front of it, like the base. The whole thing is like black.

1:43:24 – 1:43:483

And look, I mean, is a setback pretty far. Mean, personally, I'd like to see a little more coordination between the K Park proposed development and those architectural details and colors. I mean, I know you share a site, but there's significant separation between the two properties. I don't know if I have a big enough issue to make an issue out of it.

1:43:4810

Well, we're we're open to doing whatever the whatever is needed

1:43:513

to do. What's your alternative?

1:43:53 – 1:44:1510

Well, yeah, we could leave it. So in all actuality, and this the this the epitist behind us doing this renovation, this building's been here for going on seventeen years now. Crazy. And we have yeah. Isn't it? I felt like it was just built. I okay. So I was in college when this was built, and I I am I'm old now in my mind. I'm not

1:44:153

gonna play that game. If you ask my kids.

1:44:17 – 1:44:5110

Right? So it's blown my mind. But since I've been on the team before I was on the team, we've started working toward just updating the aesthetic of what Life Church feels like nationwide. We have 45 campuses, and this is our typical color palette, floor plan, all all the things that kinda fit together that we we try to roll out nationally. But we're well aware that each jurisdiction, especially if Did you Particular I

1:44:51 – 1:45:206

know you're in communication with related Ross because you're doing the circle in the front and the entrance way that goes into the development on both sides as well as the school. It seems like your building is the closest kind of really to the hotel. And we don't know what the aesthetic of the hotel is going to be and I don't think we should hold you responsible for that obviously. But it'd be nice to see kind of an ethos kind of develop within the project. Mean, this is pretty toned down. It's not like bright yellow. But that'd be nice. But we don't really know what that's going be yet.

1:45:2010

Oh, those are West Palm Beach.

1:45:211

So these were submitted as part of the application. They were omitted from it. It was supposed to be exhibit exhibit. Yeah.

1:45:294

But they look spicy.

1:45:30 – 1:45:441

Supposed to be exhibit e, but it was omitted from that packet. But this is they provided this to just show you what it would look like in in real life using the similar materials.

1:45:461

Let me see. I think there might be another picture. Yeah. That's the well, this is the rendering of West Palm. This isn't the rendering of Wellington, but you could see

1:45:58 – 1:46:1410

And at a location like West Palm, they they had a lot of requirements, you know, more stone, more parapet considerations, and and things of that nature. So, yeah, it's it's one of our favorite ones to show. It's one of our prettier buildings.

1:46:14 – 1:46:493

It's very nice. I'm not going to try to persuade anybody to vote this down. As was mentioned, we still have some uncertainty with sort of the closest building proximity to you guys and to try to create a more uniform look. If you guys are open to the idea of saying, we're not there's no sense of urgency for us to get this redone. If you're willing to wait to see what kind of comes back to this committee, we're happy to revisit it. If you're looking for a thumbs up or thumbs down tonight, we can do that.

1:46:50 – 1:47:1510

And that's more what we're looking for. This project was slated to begin construction this year, and we have a team geared up that bid on it. They're kinda ready to go, and it fits in with we are we're on building 20 or so of our national renovations. So obviously, we'd we'd like to do it today if we could, and we'd be more than willing to to listen, though, if we if we can't.

1:47:15 – 1:47:283

I mean, I certainly wouldn't let this influence any ideas for the hotel or your neighbor to the north there. And I don't know if I have a strong enough opinion against it to Well, interfere with your plans. In

1:47:286

construction time. Go

1:47:34 – 1:47:522

to the West Palm Beach facade? See, there's not as much dark there, John.

1:47:52 – 1:48:253

No, that's what I mean. That's, you know, when I look at sort of the packet that we were given in some of the earlier images, you know, that's when I get, okay, wait a second. Are we going get in trouble for denying one and approving the other? But looking at this image, if we're going to be sort of in line with the aesthetics of this and the color palette materials. Again, I don't have enough of an issue. I would prefer to wait and see what the hotel comes back. But I don't want to interfere with your construction plans either. It's just not a hot enough topic for me to hold this

1:48:25 – 1:49:0110

up. We've we've tried internally, we've reviewed everything going on with the development to the north and tried to just pull inspiration from that and seeing that it's it's coming along. We're hoping to be wrapped up before they begin, though, because, well, they're they're gonna be there a minute. It's gonna be a bit of a bit of a fun project for them, but that's that's why we're trying to bring up our standard and, really just polish off our existing facility. So it's at least inviting and new feeling with that newness.

1:49:01 – 1:49:213

And Kelly, just to be clear then from a staff perspective, obviously, early application, I mean, it's very different in terms of what we were looking at, adding a color to our chart versus using some of these tones as more trim and accent. Any concerns? No. Okay. I don't have an issue, so anybody else can weigh in.

1:49:2412

Okay. Thank you. Thank you.

1:49:2711

Let's open public Okay.

1:49:293

To open public comments.

1:49:3111

I second.

1:49:313

All in favor?

1:49:34 – 1:49:483

Any opposed, no? Hearing none, motion is approved. Kelly, motion to close public comments. Second? Second. All in favor? Motion passes. Okay. What would we like to do, guys?

1:49:484

I'll make a motion to approve twenty twenty six-four based on staff's recommendations. I second that.

1:49:563

Okay. Do have a motion to second? All in favor? Aye. Any opposed? Motion passes. Thank you.

1:50:0111

Thank you, guys. God bless.

1:50:024

Thank you.

1:50:036

You want your

1:50:053

You want your colored shirt?

1:50:081

actually like to keep them, so

1:50:107

Oh, do you? Great.

1:50:111

I didn't

1:50:124

know. Sorry about that.

1:50:131

Well, we joke that we can make a dollhouse out of all the materials that we have.

1:50:202

yeah, feel free. Okay.

1:50:213

Thank you. Thank you very much.

1:50:231

Next up is petition number twenty twenty six dash zero zero zero five dash ARB Lewis Prime Grille signage.

1:50:3216

Last one of the night. Mhmm. Okay. Again, good evening. Jonathan Sandoval, part of the planning and zoning team.

1:50:40 – 1:51:3616

I will now be presenting petition number 2026Dash0005DashARB, Lewis Prime Grill. You. Owned by Point at Wellington LLC, the request is for ARB to approve two wall signs with a technical deviation for Lewis Prime Grill. The subject parcel is located at 10120 Forest Hill Boulevard near the Wellington Green Mall with Lewis Prime Grill occupying Unit 110. Being shown are the primary wall sign standards along with those of a secondary wall sign.

1:51:43 – 1:52:1616

Displayed are the proposed primary and secondary wall signs. Both signs will consist of individually mounted LED aluminum channel letters. We now move on to the primary and secondary wall sign data. As displayed, a technical deviation will be needed for the height of both signs. The primary sign will need a 12 inch high deviation with the secondary sign needing a 22 inch high deviation.

1:52:21 – 1:52:3616

If ARB votes to approve petition number 2026Dash0005Dash ARB, staff will provide the following conditions of approval. And that will be all. Thank you for your time.

1:52:37 – 1:52:533

John, what was the previous at Stonewood Grill, right? That's Yes, the older correct. Was their signage like? Was there any deviations from standard? Or was that compliant? I don't know if you know the answer to that or not, but Stonewood was previously. Maybe he can answer

1:52:531

that Forty two inches and nine forty two inches in height and nine feet, seven inches in length.

1:53:003

So is that consistent with what this applicant is requesting? Or is does this exceed that? It's larger.

1:53:055

It was just It's a little larger.

1:53:061

Alright. Sorry. Go ahead.

1:53:0711

Okay. So, yeah, the Northwest sign, it was 42, like she had printed

1:53:113

for the record, sir, can you just introduce yourself?

1:53:13 – 1:53:3311

Mike, owner of Lewis Prime Grill. So, yeah, the Northwest sign, I guess we're calling the primary. That sign was 42 inches. We're requesting a 36 or 37 inches now, which is a negative deviation of six inches from the current sign.

1:53:353

Okay. That's easy.

1:53:37 – 1:53:581

So the signs, when you approve deviations for signs, they're approved for that particular sign. So because he's a new tenant, he would only be eligible for the 30 unless he requests a technical deviation. It helps that the previous tenant had a sign similar. But that's why he didn't just get approved that building permit. Had

1:53:5815

That come

1:53:584

makes sense. Okay.

1:54:003

Well, more importantly, when are you opening?

1:54:03 – 1:54:2211

We're probably about forty days. Okay. Yes. Alright. Just construction is going great. You got to compliment your building department. I'm also a contractor too, so I do statewide contracting. It's been a pleasure.

1:54:236

Question about the sign. It's black letters. It says this obviously, it's powered by electricity. But where does the light come out of? Is it backlit or does it come from?

1:54:2911

Yes, It's a reverse channel letter. So you're going have, you know, a solid face with a backlit. So no indirect or blind, yeah.

1:54:376

Looks okay.

1:54:3711

Gives a good look. We have the same, you know, at our location in Jupiter.

1:54:442

Westlake? Are you all in Westlake?

1:54:47 – 1:55:0511

We have a sign in, yeah, Seminole Pratt, which is in Royal Palm or the acreage, I guess you would technically call it. But they that master site plan wouldn't allow us to do illuminated signs there. So that's just a regular same fawn as this, but non illuminated.

1:55:053

Is this consistent with the other locations in terms of size or?

1:55:09 – 1:55:2011

No, this one's a little bit larger. Yeah, this one's probably about fifty, fifty five seats larger than our other location in Loxahatchee. Yeah. We're learning.

1:55:222

Yeah, he's talking seating, and I think he's asking signs.

1:55:27 – 1:55:4411

Oh, oh, signage. Either one. Yeah, know, they're totally different facades. So this sign is actually smaller than the one in Loxahatchee, but the Jupiter location, which is our steakhouse, is slender, I guess you would say.

1:55:446

Yeah. So if you look at the complex, I don't see the adjacent buildings, but you're pretty much similar to the other signs? Or is it like much bigger? Is it about the same?

1:55:53 – 1:56:1011

I don't I mean, I consider more the Northeast would be the primary. We're kind of filling that space there. That's the architectural stucco band, I would call it. So, you know, we just wanted to make that fit in there the best we could.

1:56:123

Entrance

1:56:135

right there. Correct?

1:56:1411

No. The Northeast is more it's facing Forest Hill Boulevard, and it's that large tower.

1:56:206

That faces the bank.

1:56:2111

So, yeah. The entrance would be on the Northwest side. So just to the left of the signage is the actual main entrance.

1:56:314

So that architectural detail was already there. You just tried to fill it in.

1:56:357

Correct.

1:56:3511

Got it. Okay. Didn't want to leave a bunch of empty space.

1:56:3913

And Sure thing.

1:56:4011

Obviously, as a business standpoint, you know, more visibility would be better. You.

1:56:46 – 1:56:593

Have Kelly yet to open the public hearing. Motion to open the public hearing. Second. All in favor? Aye. Any opposed? Hearing none, motion passes. No public comments. Motion to close. Second. All in favor?

1:57:033

Comments, action? I don't have a problem

1:57:0811

with that.

1:57:083

Don't have problem

1:57:0811

with I mean, now that I saw that that detail was already there and they're just filling it in,

1:57:124

it seems reasonable to me.

1:57:136

As a steak reference, looks well done. Yes.

1:57:163

Don't say well done. Not to a steakhouse, don't say well done. Preferred mid rare. Those are fighting words. Not going to

1:57:26 – 1:57:4111

be a steakhouse. We're trying to get away from that. That's the old family Okeechobee, but this one we're trying to do like a in between, we're seeing a space between, you know, the casual and the fine. So, we're trying to fall in between that, like an upper casual is what we're calling it.

1:57:413

Great. So, what is

1:57:430

the relationship with the

1:57:433

Okeechobee Steakhouse family?

1:57:4611

My partner, Ralph Lewis, is, you know, family.

1:57:51 – 1:58:0411

Him and I just think a lot alike and started the one in Jupiter during COVID, which is a very good lesson. And then we started the one out West Pond or Waxhachie. This one's here. We got 10 more on the

1:58:043

We're excited

1:58:0511

you We're looking to expand. Wow.

1:58:073

Very Let's make a formal end to this then. So anybody want to entertain a motion?

1:58:13 – 1:58:244

Sure. I'll make a motion to approve twenty twenty six-five ARB based on staff's recommendations.

1:58:243

And is there a second?

1:58:263

All in favor?

1:58:283

Any opposed? Motion passes unanimously.

1:58:304

Good luck to you, sir.

1:58:315

Thank you.

1:58:323

Looking forward to dining there. Thank you.

1:58:334

Thank you very much.

1:58:342

It's in four days?

1:58:3511

Forty. Forty. Forty?

1:58:372

Yeah. Okay.

1:58:38 – 1:58:5211

Yeah. If everything goes right, we've had like always, it's it's always something. But Yeah. Yeah. It's it's tough. I mean, we're very particular about our staff and it's it's a very long processing.

1:58:532

We'd like to hear that.

1:58:554

We do. Thank you. All

1:58:563

right. Thank you so

1:58:577

Thank you. Much. Any

1:59:003

other comments from staff?

1:59:031

Our next meeting is March 25 at 06:30. I do expect a few items on the agenda, not six so.

1:59:133

It wasn't too bad.

1:59:141

Okay. No, not bad. But yeah, that's all I have.

1:59:173

Great. All right. Motion to close the meeting.

1:59:224

I second. We are adjourned.

This transcript was automatically generated from the official public meeting video and is presented unedited. It reflects remarks made on the public record by elected officials, staff, and public commenters. Transcript accuracy may vary; view the original recording for reference.